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8 January 1836 – 25 June 1912. Most renowned painters.

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WITHOOS, Mathias
Otter in a Landscape

ID: 73160

WITHOOS, Mathias Otter in a Landscape
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WITHOOS, Mathias Otter in a Landscape


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WITHOOS, Mathias

Dutch painter (b. 1627, Amersfoort, d. 1703, Hoorn).   Related Paintings of WITHOOS, Mathias :. | Arab or Arabic people and life. Orientalism oil paintings 83 | Lord Cornwallis,who succeeded | fodelsedagshyacinten | Marguerite de Navarre | View of the great Bason,from the Entrance of the Great Walk to the House |
Related Artists:
FOPPA, Vincenzo
Italian Early Renaissance Painter, ca.1430-1515 was a Northern-Italian Renaissance painter. He was an elderly contemporary of Leonardo da Vinci. Born at Bagnolo Mella, near Brescia in the Republic of Venice, he settled in Pavia around 1456, serving the dukes of Milan and emerging as one of the most prominent Lombard painters. Foppa returned to Brescia in 1489. His style shows affinities to Andrea del Castagno and Carlo Crivelli. Vasari claimed he had trained in Padua, where he may have been strongly influenced by Mantegna. During his lifetime, he was highly acclaimed, especially for his skill in perspective and foreshortening. His important works include a fresco in the Brera Gallery of Milan, the Martyrdom of St. Sebastian, and a Crucifixion (1435) in the Accademia Carrara of Bergamo. Many of his works have been lost. He was influential in the styles of Vincenzo Civerchio and Girolamo Romanino.
William Ludwell Sheppard
American, 1833-1912
Angelo Bronzino
(November 17, 1503 - November 23, 1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. Bronzino was born in Florence. According to his contemporary Vasari, Bronzino was a pupil first of Raffaellino del Garbo, and then of Pontormo. The latter was ultimately the primary influence on Bronzino's developing style and the young artist remained devoted to his eccentric teacher.






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